Black Merda - "The Folks From Mother's Mixer" Compilation
The genre Psych-Funk has reached critical mass within the past year, and no one embodies it more than Black Merda. The Folks From Mother’s Mixer is the first CD ever by these musicians, who were more than 30 years ahead of their time. Too late for the Hendrix generation and too early for the Parliament / Funkadelic generation, this group created a heady brew of psychedelic Folk-Rock-Funk of the 70's. With their reportorial lyrics and sometimes acoustic style guitar, Merda could be called acid funk unplugged. This is an excellent CD which has been out of print since it was originally released as two albums in the 1970's.
By Aquarius: For this one, I (Allan) have got to tell a little story... 'round Christmastime I was back home in Pennsylvania, where I spent one of my evenings hanging out with some old pals who I know from one of my hometown's record stores. You know, some folks in a basement, with some beers, something funny-smelling being smoked (no, not by me), and lots and lots of records being spun, mostly jazz and funk and R&B 'cause that's what these friends of mine dig the most. Well, one record comes on that immediately makes me say, hey, this sounds like something that shoulda been on that Chains And Black Exhaust compilation from a couple years ago. Real bad-ass, fuzzed-out psychedelic '70s funk. My friends hadn't seen that comp, but perhaps you have since you're reading this and we did pretty well with it here at AQ. Sadly it's long gone now. Well, another track (a nice bluesy number) goes by, and then boom, there's a song that WAS indeed on that comp! All chunky wah-wah groove and grunting badassitude, "Cynthy-Ruth" turns out it's called, and one of the highlights on Chains and Black Exhaust ('twas track three).
The record my host was spinning was a vinyl reissue of the first album circa 1970 by Detroit's "folk rock funkateers" (it said right on the cover), a band called Black Merda. We kept listening and it was clear that this was a pretty killer album from an obscure bunch of "black rock" pioneers, contemporaries of Funkadelic and similiarly influenced by Jimi Hendrix. Dang, I immediately figured that no doubt quite a few of you who dug Chains And Black Exhaust would want this! So when I got back to work here at AQ, I had to track it down. My diligent investigations revealed that both this first album and its 1972 sequel Long Burn The Fire (released under the shortened sobriquet Mer-da) were soon to be reissued together on a single cd. And this is it, The Folks From Mother's Mixer (the name of one of the songs from the Mer-da LP).
Overall, there's a doomy, druggy vibe again akin to a lot of early Funkadelic, an atmosphere that can be mellow but menacing, dark and gloomy, with loosely-chanted choruses full of socially-conscious protest lyrics. And yes, there's a buncha funky heavy groovers in the style of "Cynthy-Ruth" alongside a goodly amount of laid back psychedelic blues-rock jamming in the Hendrix vein. Fans of early Funkadelic won't be disappointed at all. Their somewhat cleaner, brighter second album perhaps ain't as good as the first, but definitely also has its strong points and you'll be glad it's on here too.
Comes packaged with Afro-filled photos and lengthy liner notes that tell the whole Black Merda story, from their days as Edwin Starr's backing band to to their embrace of '60s heavy electric guitar rock to their signing to Chess Records (the famous blues label was trying to get into the psychedelic, underground rock thing at the time) and brief shot at fame to the eventual derailment of their career due to forces beyond their control. Now, 30+ years later, Black Merda's music gets another chance to turn on, funk up, and weird out music fans.
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